Design Milk

FANZI’s Optical Flow Dissolves Boundaries Between Art and Function


FANZI’s Optical Flow Dissolves Boundaries Between Art and Function

Presented at this year’s 3daysofdesign in Copenhagen, FANZI’s Optical Flow exhibition dissolves the boundary between object and environment, a conceptual framework drawing from visual computing, where optical flow algorithms track pixel movement between video frames to create seamless transitions. This technical metaphor transforms through the hands of Taiwanese designers who understand that perception itself is kinetic.

A person stands in a bright, minimalist art gallery featuring abstract sculptures and wall installations on a white floor.

A minimal gallery space with modern abstract sculptures, including a white oval table, cylindrical objects, and metallic hanging pieces, titled "Optical Flow" on the wall.

The curatorial vision positions everyday functionality as artistic practice, while these Taiwanese makers bring distinctly contemporary concerns to this modernist legacy – sustainability consciousness, digital manufacturing techniques, and cross-cultural dialogue inform their material choices. What emerges is a meditation on how objects mediate our daily rituals.

Minimalist contemporary art exhibition in a white gallery space with sculptures and installations displayed on the floor and natural light streaming through skylights.

Take the example of Marie-Louise Høstbo’s The Mat, a compelling counterpoint as the only Danish designer among the Taiwanese collective. Her yoga storage system demonstrates how cross-cultural dialogue enriches design practice, creating objects that acknowledge the body’s dual need for both concealment and revelation. The work transforms daily ritual into quiet ceremony, where the act of storage becomes as intentional as the practice itself.

A minimal, white-walled gallery space with modern art installations and a blurred figure walking in the background.

As 3daysofdesign continues to evolve as a platform for emerging design voices, Optical Flow demonstrates how regional perspectives can contribute to broader conversations about form, function, and meaning. The pieces suggest a future of design in which they are not in fixed categories but in the fluid spaces between art and utility, tradition and innovation.

A modern, minimalist gallery space with geometric light fixtures, metallic shelving, and tall vertical mirrors, divided by a central column.

A minimalist FANZI metal shelving unit with three horizontal shelves and vertical dividers, placed on a concrete floor against a plain white wall.

A close-up of two intersecting, vertically ribbed, FANZI cylindrical light fixtures with a round, black connecting element against a plain light background.

Sandra Wang, founder of FANZI, continues by saying, “In the flow of light, images and objects no longer remain still; they flicker, refract, and generate meaning through the act of perception. As visitors move through the exhibition, the pieces shift in resonance and form, revealing new meanings in every gaze and gesture.”

A minimal art gallery with abstract sculptures on white platforms and two blurred figures walking through the bright, white space.

The gallery features works from Taiwanese designers Yen-An Chen, Coby Huang, Ting-Hsuan Chang, and Shun-Hsiung Hung alongside Danish designer Marie-Louise Høstbo in an exhibition exploring perception through lighting, furniture, and functional art objects.

A blurred person walks across a minimal, modern room with metal shelves, a round white table, and sunlight streaming through geometric wall openings.

A translucent, oval-shaped FANZI table with three rounded, frosted glass legs sits on a textured, light-colored surface against a plain gray background.

Two modern FANZI pendant lights with metallic circular and semi-circular frames, each suspending a horizontal tubular bulb, hang against a plain gray background.

A minimal art gallery interior with the words "OPTICAL FLOW" on a gray wall; shelves and wall-mounted pieces are visible in the background.A gallery installation features two minimalist metal and glass FANZI light sculptures on the floor near a white wall with text describing the exhibit "Optical Flow.

A metallic geometric sculpture with vertical, reflective panels stands on a white and gray surface, illuminated by natural light.

View more information about FANZI’s Optical Flow exhibition at 3daysofdesign.dk.

Photography courtesy of FANZI.



Source link

To top